Thank you,

Susan Powers
949-642-6300

Mrs. Culver,
yes I do restore ivory figurines but not shades.
to reply please send email at: ardenia@roadrunner.com
thanks,
Ardenia Capannelli

William Adams

This painting is not painted by Lionardo, da Vinci, but by his best student, this is also one reason you see so many changes in this painting, and not the invented process, that Lionardo put into his paintings.

It is a well-documented fact that lionardo da Vinci had a philosophy and penchant for infusing science and mathematics, with extreme accuracy into his every artistic endeavor. It leads to the supposition that his artworks would reflect his almost obsessive search for truth and accurate portrayal of everything around him. The artworks after all were an extension of the expression of his scientific studies. Using what is known about Lionardo from his writings and codex’s as a starting point to review the Salvatore Mundi original and “restored” images, yields a number of anomalies in the restored painting that are inconsistent with Lionardo’s techniques, and his uniquely accurate portrayal of geometric symmetry, color, shadowing and scaling.

This is “NOT” by “Lionardo, da Vinci, that “you” can bank on!

Remember; Everything is something, and something is everything, and that everything, can be turned into something else.

The painting, presently in the Jan Louis de Ganay collection Paris, was crafted in “RED and BLUE” clothing, and is Salvator Mundi, A detailed analysis of the measurements and proportions is a very telling indication of authenticity because of the clearly accurate alignment. Lionardo’s technique of ensuring perfect ratios and alignment may be compared to those found in his Vitruvian Man.

Also case in point is the Salvator Mundi painting has over 30 Symbols, in the lower half of the painting. Some are numbers, some are letters, and many are in “MICRO FORM”, a process Lionardo invented to hide his intended messages.

By Michael W. Domoretsky
The da Vinci Project, Research Group
/*)(*\ The Mark of Excellence

This painting is not painted by Lionardo, da Vinci, but by his best student, this is also one reason you see so many changes in this painting, and not the invented process, that Lionardo put into his paintings.

It is a well-documented fact that lionardo da Vinci had a philosophy and penchant for infusing science and mathematics, with extreme accuracy into his every artistic endeavor. It leads to the supposition that his artworks would reflect his almost obsessive search for truth and accurate portrayal of everything around him. The artworks after all were an extension of the expression of his scientific studies. Using what is known about Lionardo from his writings and codex’s as a starting point to review the Salvatore Mundi original and “restored” images, yields a number of anomalies in the restored painting that are inconsistent with Lionardo’s techniques, and his uniquely accurate portrayal of geometric symmetry, color, shadowing and scaling.

This is “NOT” by “Lionardo, da Vinci, that “you” can bank on!

Remember; Everything is something, and something is everything, and that everything, can be turned into something else.

The painting, presently in the Jan Louis de Ganay collection Paris, was crafted in “RED and BLUE” clothing, and is Salvator Mundi, A detailed analysis of the measurements and proportions is a very telling indication of authenticity because of the clearly accurate alignment. Lionardo’s technique of ensuring perfect ratios and alignment may be compared to those found in his Vitruvian Man.

Also case in point, is the Salvator Mundi painting has over 30 Symbols, in the lower half of the painting. Some are numbers, some are letters, and many are in “MICRO FORM”, a process Lionardo invented to hide his intended messages.

By Michael W. Domoretsky
The da Vinci Project, Research Group
/*)(*\ The Mark of Excellence